cultural of cambodia

Cambodian culture and artistic expression were overshadowed by the greatness of the past. Although the Khmer empire owed much to Indian influence, its achievements represented original contributions to Asian civilization. The magnificent architecture and sculpture of the Angkor period (802–1432), as seen in the temple complexes at Angkor Wat and Angkor Thom (see photograph), marked the apex of Khmer creativity. Following the capture of Angkor by the Thai (15th century) and the crumbling of the empire, the region underwent four centuries of foreign invasions, civil war, and widespread depopulation. It was not until the establishment of the French protectorate in 1863 that internal security was restored, the country's borders were stabilized, and efforts were undertaken to revive traditional Khmer art forms
At varying times, Cambodian culture also absorbed Javanese, Chinese, and Thai influences. Between the 9th and 15th centuries, a prosperous and powerful empire flourished in northwestern Cambodia. The Khmer kingdom of Angkor, named for its capital city, dominated much of what is now Laos, Vietnam, and Thailand. The kingdom drew its religious and political inspiration from India. The literary language of the court was Sanskrit; the spoken language was Khmer. Massive temples from this period, including Angkor Wat and the Bayon at Angkor Thum, testify to the power of Angkor and the grandeur of its architecture and decorative art. The unparalleled achievements in art, architecture, music, and dance during this period served as models for later cultural development in Cambodia.
Music occupied a dominant place in traditional Cambodian culture. It was sung and played everywhere—by children at play, by adults at work, by young men and women while courting—and invariably was part of the many celebrations and festivals that took place throughout the year at Buddhist temples in the rural countryside. Instruments used in full orchestras included xylophones with wooden or metal bars, one- and two-stringed violins, wooden flutes, oboes, and drums of different sizes. The players followed the lead of one instrument, usually the xylophone, and improvised as they wished.

Cambodians comprise a variety of kids who are commonly called Khmer. The Khmer constitute about 90 percent of the population. The population also includes a diversity of other ethnic backgrounds: Chinese, Vietnamese, Chams, and hilltribes, called Khmer Roeu.
The Khmer are believed to have lived in the region from about the 2nd century CE. They may constitute a fusion of Mongul and Melanesian elements. They have been mainly influenced over the centuries by the powerful Indian and Javanese kingdoms. The Khmer-Loeu - or upland-Khmer - are one of the main tribal groups and live in the forested mountain zones, mainly in the North-East. Traditionally, the Khmer-Loeu were semi-nomadic and practiced slash and burn agriculture. In recent years, because of their increasing numbers, they have turned to settled agriculture and adopted many of the customs of the lowland Khmer.
There are about 500.000 Cham-Malays, descended from the The Chams of the royal kingdom of Champa, based in the present day central Vietnam. They now constitute the single largest ethnic minority in the country. The Chams were badly persecuted during the Pol Pot regime and their population more than halved. They are Muslims and their spiritual centre is Chur-Changvra near Phnom Penh. The Chams are traditionally cattle traders, silk weavers and butchers. The Chinese migrated in the 18th and 19th century to Cambodia, where most of them became involved in commerce. During the Pol Pot years and later many Chinese left the country or were killed. Today there is a population of about 100.000 left in Cambodia. Estimated 200.000 Vietnamese live in the country today. The southern part of Cambodia has always had many inhabitants of Vietnamese decent as well as the area around Phnom Penh.